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When minted, it is assigned a unique hash.
It is the ID of the work, and in generative art, it determines the fate of the random.
The hash makes it unique.
It is like a painting’s materials.
The material is pasted as it is.
Break it down letter by letter and move it.
This is self-introduction by the work.
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The “name” renews the screen and prevents it from burning.
It prevents the solid from hardening.
Thinking back, the “DVD”‘s inexhaustible linear movement across the screen is a kind of self-introduction or self-reference.
The interlace slowly glitches its trajectory.
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