When minted, it is assigned a unique hash.
It is the ID of the work, and in generative art, it determines the fate of the random.
The hash makes it unique.
It is like a painting’s materials.
The material is pasted as it is.
Break it down letter by letter and move it.
This is self-introduction by the work.
The “name” renews the screen and prevents it from burning.
It prevents the solid from hardening.
Thinking back, the “DVD”‘s inexhaustible linear movement across the screen is a kind of self-introduction or self-reference.
The interlace slowly glitches its trajectory.
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